Saturday, April 18, 2015

Like Water for Chocolate, by Laura Esquivel


Genre: Fiction, Romance
Rating: ★★★
Pages: 222
Published: 1989/1993
Publisher: Black Swan

I picked up Like Water for Chocolate at a fantastic English-language bookstore in Sofia called the Elephant Bookstore. It was recommended by one of the girls in my group, so I decided to get it in order to counteract all of the Yugoslavia nonfiction I had with me. 

Like Water for Chocolate is about a young woman, Tita, living in revolutionary Mexico. Tita, as the youngest daughter of the De La Garza family, has her fate decided for her: she is forbidden to marry by family tradition, and must instead care for her mother until she dies. When Pedro, Tita's sweetheart, asks for her hand, he is swiftly rebuffed by Tita's mother and redirected towards her sister, Rosaura. Pedro agrees to marry Rosaura, if only because that will allow him to remain by Tita's side. Over the course of the next 22 years, the two circle each other in "unconsummated passion" (according to the back description) that inspires passion in the lives of those around them. Each chapter also begins with the name of a dish and the ingredients for said dish. During the following chapter, the food is somehow woven into the narrative. 

Like Water for Chocolate reads like a folktale, and so there are some extreme exaggerations regarding activity and imagery (ex: losing 65 pounds in a week, having a blanket that covers an entire ranch, etc.). Because this was my first "magical realism" book (and magical realism utilizes hyperbole and mythology), it was definitely something I had to get used to — I took a few hyperboles quite literally and was left going "what?" a few times in the beginning of the novel. 

Continuing on the "magical narrative" trend, the food that Tita cooks assumes a large role in conveying Tita's emotions to others and influencing events in the book. While Tita doesn't often show her true emotions to others (such as anger, lust), other characters pick up on her feelings through her cooking, although their sudden emotional outbursts confuse them. 

I think I was more into the first half of the book, but lost steam afterwards. I guess I just had a harder time sympathizing with Pedro and Tito? I didn't really care for Pedro, and thought that Tita could have done better than him. Like Water was also a little unusual in that the tone would go from being very clinical and detached to being super technical and "whatever" about sex and lust. The book was described as containing "unbridled passion," and I guess my takeaway is that I don't really go for that. (One review on the inside described the ideal reader as one who likes their wine "full-bodied" and their food "zesty." I don't really fall into either category.)

I ended up finishing this book faster than I thought I would; it's very accessible, and — due to its monthly format — felt unimposing and gave me a good sense of how far along I was in the story. While it is somewhat unfortunate that the romance plot fell a little flat for me, there were other comedic parts of the book that I really liked, and one character in particular — Gertrudis — that was by far my favorite. I recommend it to anyone who likes cooking or is interesting in magical realism novels.

(Oh, yes — and """passion""")

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